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Packington's Pound is the most recognizable Renaissance ballad. It was written in the late 1500s in Elizabethan England, probably by the lutenist Francis Cutting.
The piece is written in several small sections which resemble each other. The effect is that they take the listener on a journey - a classic "there and back again" tale of adventure and return.
Packington's Pound is a fun piece to practice and play. It sounds great mixed in with pieces of other styles. The recognizable Renaissance sound creates a delightful contrast to more modern or "classical" styles.
This course contains all materials in notation and TABs, and step-by-step videos for practice and expressive playing. Enjoy!
Includes:
18 VideosIncludes PDF Materials
Lifetime Access

Course Level: EARLY INTERMEDIATE
This course is at the EARLY INTERMEDIATE level. This means that most of the notes will be in the lower positions, with occasional notes moving into higher positions (usually just on the 1st string). The rhythms are mostly simple. Chords are mostly common, open-position. TABs are included for an alternative to music notation. For more advanced players, pieces in this level can be used as a study to improve learning, memorization, and phrasing techniques.
About CGS Courses
The courses you’ll find here on Classical Guitar Shed are among the most in-depth, detailed and high-quality classical guitar courses available anywhere. Each course explores a single guitar skill or piece of music. And each course features high-quality HD video with multiple camera angles, as well as one-of-a-kind custom learning materials. This means you always know exactly what’s going on.
Repertoire and skills are divided into small sections or concepts, and worked through one at a time. You’ll get suggestions on varied subjects, which may include:
- How to count and play any tricky rhythms
- How to polish difficult transitions
- How to phrase the music, when to swell or fade
- How to apply advanced phrasing techniques to make the music more beautiful
- How to practice so you learn the piece most quickly
- How to memorize the music more easily
- How to troubleshoot hard spots
- How to avoid common traps that slow players down
- How to make small changes that make big differences
- How to understand the composer’s intentions
- How to choose the right tone quality for each part
- How to make the melody sing
- How to make the rhythm more lively
- How to practice to increase your speed and precision
- How to maintain the piece after you learn it
- among others
When you purchase a CGS Course, you get lifetime access to all videos and materials. You also get full support and your questions get answered via on-page comment or email.
Note: Videos stream only and are not available for download.
Members of The Woodshed Program get full access to all Courses and Study Guides, as well as the complete program, for the life of their membership.


100% Satisfaction Guarantee, Plus…
I want you to be completely happy with your new course. If you don’t feel it’s the best choice for you, email me within 30 days and request an immediate 100% refund.
But a refund isn’t enough. In addition, you can also choose ANY premium course or Study Guide to keep, just for your time. (You can even choose a more expensive course than the one you purchased.)
In the worst case, you’ll learn some new skills without spending a penny. In the best, you’ll have a fun new adventure exploring music and guitar. Either way, you have nothing to lose and much to gain!
Sincerely,
I practised your system for three days, and it solved the I-M alternation problem I had been struggling with since I undertook classical guitar three years ago. Many thanks!
-Johnny Geudel
I came on board three months ago and I’m loving it more than ever. I have maintained my practice pattern. I’m sticking wholeheartedly with the program as written. That makes it easy to see what I NEED to work on rather than just playing the shiny places I’ve gone beyond…..I’ve learned to focus 100% on what I’m doing that very minute….I’m developing strength in my left hand...I spend time with the videos in the evenings and always find something more to help me. I’m not looking for info anywhere else. Everything I need is right here in The Woodshed. You say “Jump” and I say “How high.” I’m so grateful I found you. You speak in a language I understand.
-Gloria Mader
Great advise here. I find I am taking more time with the pieces than I would have in the past as I am focusing on the technique you have taught me. It is slower going at first but has fewer frustrations, is easier and sounds better in the end.
-Karen Richardson

Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
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Frequently Asked Questions
Since a year ago with my subscription to CGS it has been for me a pleasurable adventure and a discovery of all the facets of the classical guitar.
Your dedication and enthusiasm, as well as your talent, in the tuition is quite contagious (well, lets hope also for your talent) and has made it fun and useful in my progression. Also the weekly tip that you mail us and the Facebook group is excellent.
-Michel Donnet
Hi Allen,
First public performance ever! I am up to Level 1E in The Woodshed program. It is certainly mega helpful.
-Peter Graham