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Schubert, Franz – Ave Maria


Franz Schubert wrote Ave Maria in 1825 as a setting of an epic poem by Walter Scott called "The Lady of the Lake".  Later, the Latin words of Ave Maria were adopted, and it's this version we hear most often today.

Schubert was known for his vocal, piano, chamber music and orchestral composing.  But he also was thought to be an accomplished guitarist (though there are conflicting opinions on this).  Guitar music was not as profitable or respected as other instrumental music at that time.  For this reason, he didn't compose very much for guitar.

His Ave Maria is one of his most popular and widely played pieces.  It's commonly heard at high-emotion events, such as weddings and funerals.

This arrangement of Ave Maria for guitar is arranged to be manageable for intermediate players, while preserving the original harmonies and textures.  The rhythm is slightly simplified, making it more suitable for the single player.



Includes:

19 Videos
Includes PDF Materials
Lifetime Access
guitar ave maria tabs



Course Level: INTERMEDIATE

This course is at the INTERMEDIATE level. This means that notes may be anywhere on the fretboard. Rhythms may be more complex and the general tempo (speed) may be faster. The piece may use bar (barre) chords or special techniques. And the piece may be longer than earlier-level pieces. TABs are included for an alternative to music notation. For more advanced players, pieces in this level can be used as a study to improve learning, memorization and phrasing techniques, as well as general right- and left-hand technique.




About CGS Courses

The courses you’ll find here on Classical Guitar Shed are among the most in-depth, detailed and high-quality classical guitar courses available anywhere.  Each course explores a single guitar skill or piece of music.  And each course features high-quality HD video with multiple camera angles, as well as one-of-a-kind custom learning materials. This means you always know exactly what’s going on.

Repertoire and skills are divided into small sections or concepts, and worked through one at a time. You’ll get suggestions on varied subjects, which may include:

  • How to count and play any tricky rhythms
  • How to polish difficult transitions
  • How to phrase the music, when to swell or fade
  • How to apply advanced phrasing techniques to make the music more beautiful
  • How to practice so you learn the piece most quickly
  • How to memorize the music more easily
  • How to troubleshoot hard spots
  • How to avoid common traps that slow players down
  • How to make small changes that make big differences
  • How to understand the composer’s intentions
  • How to choose the right tone quality for each part
  • How to make the melody sing
  • How to make the rhythm more lively
  • How to practice to increase your speed and precision
  • How to maintain the piece after you learn it
  • among others

When you purchase a CGS Course, you get lifetime access to all videos and materials.  You also get full support and your questions get answered via on-page comment or email.

Note: Videos stream only and are not available for download.

Members of The Woodshed Program get full access to all Courses and Study Guides, as well as the complete program, for the life of their membership.



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100% Satisfaction Guarantee, Plus…

I want you to be completely happy with your new course.  If you don’t feel it’s the best choice for you, email me within 30 days and request an immediate 100% refund.

But a refund isn’t enough. In addition, you can also choose ANY premium course or Study Guide to keep, just for your time. (You can even choose a more expensive course than the one you purchased.)

In the worst case, you’ll learn some new skills without spending a penny. In the best, you’ll have a fun new adventure exploring music and guitar. Either way, you have nothing to lose and much to gain!

Sincerely,



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Allen Mathews

Hi, I’m Allen Mathews. 


I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
[thrive_2step id='78169']Click here [/thrive_2step] for a sample formula.


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